T.

The World’s Only Female Chain Gang

Until I watch the prisoners line up alongside the chains laid out on the ground, I have half imagined that the term ‘chain gang’ is being used in a loose and euphemistic way.
But no. They are wearing heavy-duty work boots and, as the chains are padlocked around their ankles, they raise their left legs up behind them, bending at the knees like well-trained horses obliging a farrier.
What makes this scene even more disturbing is the sex of the prisoners. They are all women.
This is Arizona, America’s most draconian state. It is also its hottest, averaging around 40°C in the summer, which makes the concept of hard labour outdoors seem all the more cruel.
Although it is 5am and dark, already the heat of this August day is apparent. On a command from Officer Houston – a strong-looking female prison guard who, even without the gun in her holster, you wouldn’t want to mess with – the prisoners begin stomping their right boots, marking time.

After half a minute comes the order to march and, with a stomp of the right boot, followed by a drag of the left, they set off through the corridors of the Estrella Jail, Phoenix. Stomp. Drag. Stomp. Drag.
As it echoes, the sound seems eerie, like a receding freight train. Then the singing starts, a military marching song:
‘Black and white we wear with shame.
These prison guards, they know our names.
We work hard and march for hours;
If we don’t we can’t have showers.
5am is when we rise;
Where we’ll go is a surprise.
No more drink and no more drugs,
No more boyfriends who are thugs.’
As well as a gun, Officer Houston carries on her belt a walkie-talkie, keys, CS gas, a torch, a Taser gun and an extendable baton. She is one of four guards who will keep an eye on the 15-strong chain gang today.
She wears a desert uniform with, less congruously, a pink watch, and she carries a pink folder for the roll-call.
‘Some of the girls pick up the marching and the singing in a couple of days,’ she says out of the corner of her mouth, as if reluctant even to let words go. ‘Others take longer.’

Some of the prison guards, including Officer Houston (far left)
Some of the prison guards, including Officer Houston far left (STEFAN RUIZ)

Chain gangs were done away with in America in the 1950s, but they reintroduced them here for men in 1995 – or, rather, 80-year-old Sheriff Joe Arpaio, who styles himself ‘America’s toughest lawman’, reintroduced them.
The world’s first female chain gang is a more recent innovation of his.
Arpaio is a publicity-loving Fox News regular and Tea Party hero known for his hard-right views on everything from illegal immigration to his belief that President Obama isn’t American by birth.
He’s famously abrasive, divisive – and popular, judging by his 20 years in office. We’ll meet him later.
For now it is time to get into a paddy wagon with ‘Sheriff’s chain gang’ written on the side. The ‘gals’ – that’s what the wardens call them and, in truth, they do all seem alarmingly young, most of them in their early twenties – wait patiently to step on and then shuffle and rattle their way to their seats.

On the paddy wagon on the way to the latest labouring site
In the paddy wagon on the way to the latest labouring site (STEFAN RUIZ)

Perhaps surprisingly, most of them are here for minor crimes such as drink-driving, petty fraud and shoplifting.
As the sun rises, we drive off to a secret destination, one that changes every day for fear that prisoners might notify their friends and attempt to escape. The chain gang is an alternative to ‘the hole’ – that is, ‘lockdown’ for 23 hours a day.
For Vicky Manguso, a 36-year-old mother of three serving nine months for prescription fraud, it means ‘we see something different, passing cars, people. And they let you listen to the radio on the drive out.’

Vicky Manguso, 36, is serving nine months for prescription fraud
Vicky Manguso, 36, who is serving nine months for prescription fraud (STEFAN RUIZ)

They are not allowed to listen to music in the prison. They are also denied salt, cigarettes, coffee, ketchup and mirrors. And the only television they can watch is the weather channel, to remind them of the conditions they have to work in, and the cookery channel, to remind them how hungry they are.
They get two meals a day, valued at 30 cents each, and these are always the same: a bread roll with peanut butter, a carton of milk and an orange.
An hour out of town we stop at an expanse of government wasteland. The prisoners are handed water bottles and factor-60 sunblock.
They then queue up to use the portable lavatory that has been towed behind the wagon. Because of the chains, when one goes they all have to wait.
The work varies from day to day. Sometimes they paint over graffiti and pick up litter. Once a week they bury unclaimed bodies in paupers’ graves, some of which, as Manguso tells me, ‘smell bad’. Today they are clearing weeds and brush.
The earth is cracked and red dust flies up when the women use their shovels. It’s dirty, gruelling work made more difficult by their awkward iron chains.
And the public humiliation. Passing cars honk their horns or slow down so that their passengers can take pictures. One shouts: ‘Was it worth it?’
It reminds you that all this is intended to be theatre, the equivalent of the stocks. The prisoners are not allowed to acknowledge the cars.

The women at work in chains; the unchained prisoner in theforeground is a 'trustee’ – a former chain-gang member who hands out water, food and tools to the workers The women at work in chains; the unchained prisoner in theforeground is a ‘trustee’ – a former chain-gang member who hands out water, food and tools to the workers. (STEFAN RUIZ)

Typically, inmates do 30 days at a time on the chain gang and this is the last day for Delphina Marquel, 25, who is serving three months for cashing a fake cheque.
She is clearly the joker of the group and lightens the mood by pretending to take a coffee order and saying to one inmate: ‘Do you want whipped cream on that?’
Like the majority of the inmates, Marquel is Latino – an ethnic group that Sheriff Joe has been accused of picking on.
He says he’s just going after illegal immigrants but earlier this year he was sued by the Justice Department for civil liberties violations against Latinos.
‘They hate me, the Hispanic community, because they’re afraid they’re going to be arrested,’ Arpaio said in an interview in 2009. ‘And they’re all leaving town, so I think we’re doing something good.’
Gabrielle Zucker, 20, has two months left of a six-month tariff. She is in for trafficking stolen goods to pay for her heroin habit. She wears glasses and has a tattoo on her neck.
‘My mom turned me in so that I would get off drugs.’
Officer Houston explains: ‘The idea is to teach them to work as a team, as well as learn self-discipline.’
Has it worked, I ask Zucker? She shrugs: ‘Sure.’
I meet Sheriff Joe, as he is known, back in town. He is a small, bespectacled man with a bulb nose and two chunky rings on his fingers.
He has the manner of one who doesn’t care if you like him or not, though people do seem to like him, given the millions of dollars donated to his re-election campaigns.
He is sheriff of Maricopa County, which includes Phoenix and has a population of nearly four million.
‘It’s the only female chain gang in the world,’ he says proudly. ‘Started it with men and thought: “Why discriminate against women?”’
Why? Well, where do I start? This is the 21st century, not the 13th. But on a more personal level, I say that I felt uncomfortable watching women do hard labour. I ask him whether he ever does too.
‘No. The pilot who flew my plane in today was a woman. We have them in the army fighting. And in the police. So no. Things have changed. Why should women be treated different in prison?’
It’s very hot today, I say.
‘It’s cool at the moment,’ he contradicts. ‘You should have been here last month when it was 115°F [46°C]. That was hot.’
But most of them seem to be in for minor offences, I say. Does the punishment fit the crime?
‘Drugs? Theft? Perjury? These are all serious crimes. The other reason we do it is deterrence. Did you notice the people driving by tooting their horns?
I hope the parents who drive past with their children say, “If you do something wrong, that is what will happen to you.”’
Sheriff Joe hopes none of the prisoners told me they liked him.
‘I don’t want them to like me, or the chain gang. I don’t want them to like the food. I want people to read your article and say: “When I go to Arizona I’m going to behave myself.”’
What sort of names does he get called? ‘Hitler. Anything you can think of in front of my building. The protesters will be there in front of my office today, and in front of my church.’

On the paddy wagon on the way to the latest labouring siteBack on the paddy wagon on the way to the latest labouring site (STEFAN RUIZ)

Back on the chain gang, the prisoners are shuffling through the blistering landscape to the paddy wagon, their work done for the day. Their dusty faces are streaked with sweat.
I ask Manguso if the chain gang is a deterrent.
‘I’d seen them before and they didn’t terrify me. Has it changed me? It’s stopped me cussing so much. You get punished if you cuss. I find the marching the most tiring part. It makes my legs hurt, like a dance class.’
Delphina Marquel, the joker who is leaving the gang, rises and says: ‘It’s been an honour serving with you, ladies.’ She then offers Officer Houston a tissue to dry her tears. Houston does not smile.
Back at the prison the women line up and start singing again as they march back inside:
‘Marching through the avenue,
One more week and then we’re through.’
Other prisoners watch them impassively.
‘My back is aching, my feet are sore.
I won’t break the law no more.’
Once inside, they are strip-searched, behind a partition. ‘They make us squat and cough,’ says Manguso when she joins the others, polishing their boots. ‘It’s so embarrassing. When I worked in the kitchens they made us strip together.’
It is time for them to shower and change into fresh clothes. They all have to wear pink pants, pink socks and pink T-shirts – an idea taken from one of Sheriff Joe’s all-male prisons, but one that doesn’t quite work here as the women don’t mind wearing pink – with slogans printed on them such as ‘Meth User’ and ‘Clean(ing) and sober’.

Inside the women have to wear pink prison-issue T-shirts with slogansInside the women have to wear pink prison-issue T-shirts with slogans (STEFAN RUIZ)

All of them have (literally) let their hair down and suddenly look much more feminine. Officer Houston tells me that they find ingenious ways to wear make-up, such as rubbing the coloured adverts in magazines with talc and then dabbing their eyelids with it.
Those not in the hole now head out to ‘the yard’, a gravelled area surrounded by watchtowers, fences and coils of razor wire. It is filled with army-surplus tents.
This is where they live, under canvas on bunk beds. The watchtower lights stay on all night.

Tent City, Sheriff Joe's 'favourite spot'Tent City, Sheriff Joe’s ‘favourite spot’ (STEFAN RUIZ)

Tent City, as it is known, is how the jail copes with the overflow of prisoners. It has been criticised by Amnesty International, but Arpaio recently called Tent City ‘my favourite spot’ in the jail.
There is a rattle of keys as Officer Houston approaches. ‘Tuck that shirt in,’ she barks at a passing prisoner.
I ask her if she ever feels sorry for the inmates.
‘No, I don’t. They are paying the price. I don’t ask why they are in here, but some of them on the chain gang do feel better about themselves for having given something back to the community.’
I overhear a nearby squabble: ‘I wasn’t talking to you, I was talking to her.’
Officer Houston hears it too, and says:
‘Be nice, ladies.’

D.

Daniel Radcliffe

Daniel Radcliffe remains remarkably well adjusted for someone who, even at 23, still has to endure being called ‘Harry Potter’ every day. Just don’t ask about his bank balance…

Daniel Radcliffe bounds in to the hotel room like an eager puppy, all hand shakes and smiles for the assembled publicists, PAs and make-up artists. He is talking excitedly about the “gorgeous blonde” he just met in the corridor. She had asked if he could direct her to her room – not so subtly revealing her room number in the process – and he hadn’t been able to assist her. “But it wouldn’t have worked anyway,” he says, “because she was about 6ft 2in.” He’s joking, he has a girlfriend, but the point he makes about his height is an intriguing one. He is 5ft 5in. This is the first thing you notice about him, but luckily it is not the first thing the camera notices. Film cameras love a male lead whose head looks slightly too big for his body, and smaller actors are more likely to have this golden ratio than taller ones: think Alan Ladd, Humphrey Bogart, James Dean, Dustin Hoffman, Tom Cruise and so on.
Today, at 23, Radcliffe looks limber and lean in jeans and checked shirt, with prominent dark eyebrows and wide blue eyes. Almost in parody of his cameo for Ricky Gervais’s Extras – he played himself as a horny teenager desperate to look rebellious – he tells me he is “addicted to nicotine” and needs to have a cigarette before we begin our interview. He rolls one up and smokes it out of the window.
I ask if this is a privilege of film stars. “They let me do it here so that I don’t have to stand outside,” he says. “There will be photographers, not for me, but just because they hang around smart hotels like this. It’s pretty much the only thing I exploit my position for, to be allowed to smoke inside.” Well I should think a lot of the time he doesn’t have to exploit his position because “his people” exploit it for him, clearing a path, booking the best table and so on. “I try not to let that stuff happen, but yes, it could be happening without me knowing. I don’t have an entourage in my personal life. I get driven here and I get driven home, but that’s it. I hate that kind of dropping a name to get a table stuff. Maybe it’s an English thing that there’s just some sort of embarrassment saying: ‘Hello, I’m Daniel Radcliffe, does that make a difference to you?’”
That he qualifies his comment about the photographers by saying that they won’t necessarily be waiting for him is telling. His modesty, self-deprecation and good manners are instantly apparent, and a great credit to his parents who managed to forge a well-rounded and functional personality out of potentially dysfunctional circumstances.
If anything, Radcliffe seems slightly too eager not to appear starry or arrogant. He tells me he never does drugs, having seen the effects they have on people. And after a few too many drinking binges that ended in blackouts he gave up alcohol in 2010. He has said in the past that he was a “really annoying, loud, inappropriate, messy drunk”.
Was it that when he was drunk he revealed a side of his personality he didn’t like? “It wasn’t that I became a nasty person at all, it was just that I felt that I was running away from thinking about things. It was a way of ignoring all my own fears about ‘Will I be able to keep going in this business after the Harry Potter series ends?’ You know, it was a way of, I think, coping with that. And it was a very bad way of coping with that.”
Well, there was life for him in the film world after Potter. On the morning I meet him the papers are all carrying stories about the film he starred in earlier this year: The Woman in Black, which has become the highest-grossing British horror in 20 years, taking more than $127 million around the world. The stories, which he hasn’t had a chance to see, are about how The Woman in Black has become the most complained about film of the year, because even though it was 12A, parents took their young children to it. “Oh that,” he says, looking relieved when I tell him why he is in the papers. “I do take a small tincture of pride about it being the most complained-about film. I would have thought from the trailer that you could sense what kind of a movie it was going to be. I said at the time, if your kid is under 12, I would advise them not to see this film. Apparently there was a girl at the British premier who fainted and when I heard that, I was, like, ‘we did something right’.” (A film he stars in next year may prove even more traumatic for Harry Potter fans; in Horns, he plays a man who suddenly sprouts devil horns, and who may or may not be a killer.)
That film was something of a rite of passage for Radcliffe, an emphatic signal that he had moved on from Harry Potter. “There was a part of me in some scenes that was slightly scared of my own face, because I know that my face is…” He trails off. “I’m scared of any sort of expression looking like a Harry expression, and so I think that the journey for me in the last year is kind of about acceptance, of going, ‘This is my face and it was also the face that played Harry’. I have to stop fighting that aspect, and not worry about being expressive at times. As far as I can tell, most actors’ main motivation is self-doubt and neuroses.”
I ask if he felt a great weight on his shoulders as an 11 year-old when he was chosen as the star of what was expected to be a blockbuster franchise? I mean, that first film could have failed; people could have said it isn’t as good as the book and the whole thing could have fizzled out. Was it stressful? “Not at that age. I didn’t start to feel that pressure until much later. I think probably, that’s one of the best things about Chris Columbus [the director], he made the process so enjoyable we never thought of it as anything but fun, and it really wasn’t until the third film that I started going ‘OK, now I want to really dedicate myself to this and start learning about acting and getting better’.’’
That he was working alongside some of the greats of British film and theatre – Alan Rickman, Michael Gambon, Gary Oldman – meant that he was learning from the best. Indeed there was little point in him going to Rada after he left school – not that he went to school, having had tutors on the set instead. But what about university? “I got my ASs but dropped out before taking my As because I figured university is something you do to find out what you want to do, and I knew what I wanted to do, and I was already doing it.” His co-star Emma Watson (Hermione) was able to combine the two, though. Did he not fancy doing that? “Well fair play to her, but I don’t think that I could have done that. And bear in mind, I did well in my GCSEs and my AS-levels, I got good grades and I was happy with them, but Emma’s grades made mine look pretty f—— shabby, you know. Emma is seriously academic.”
Besides, he is a voracious reader of poetry and fiction, as I discover when he tells me about Kill Your Darlings, the low budget but artistically uncompromised film he made after The Woman in Black, which is due to be released next year. He plays the poet Allen Ginsberg and his knowledge about and passion for the Beat Generation is certainly impressive; Radcliffe can talk at length about Ginsberg’s journey from middle-class conformity to the world of “rich, moneyed libertines”.
He’s also amusing about what it was like playing a gay man. “I was in a position that I had not been in before,” he recalls. “It was slightly odd, but that film was shot so rapidly there was no time for prudishness or for worry.” On the subject of his love life – he’s straight, by the way – he says it is much easier dating girls who are in the film world because “they can be relaxed about all the time you have to be on location, and the love scenes you have to do. Where you’re kissing someone else, that takes a bit of getting used to, for everybody. And even when I went out with an actress who was having to do a love scene with somebody, I was like ‘Erm… I’m not sure I’m going to watch that’. It is always a weird thing, there’s no getting away from that.
“The Ginsberg film wasn’t so much of a problem in that respect because it was mainly men that I was interested in for that.”
Before that film is released there will be another literary outing, this time a TV miniseries. A Young Doctor’s Notebook is a black comedy set during the Russian Revolution adapted from several short stories by his favourite Russian writer, Mikhail Bulgakov. His co-star is Mad Men’s Jon Hamm, who will play the same character, a doctor, in an older guise. “I think they were going to release it in the spring of next year,” says Radcliffe, who adds that he’s “immensely flattered” that he might one day turn into Hamm. “And then they were, like, ‘Let’s release it at Christmas, because there’s lots of snow in it’. It’s not remotely festive, but it’s snowing all the time.”
During filming he says he learnt quite a lot about how to amputate limbs. “And I do think I could probably perform a tracheotomy now.”
In terms of his role choices, you have to admire the determination with which he has avoided anything that can be compared to Harry Potter, especially when you consider how much pressure he must have been under to consolidate on his success in that role. Before the Ginsberg and the Bulgakov he had an even more unexpected stage debut, at the age of 18 in 2007. It was in Equus, Peter Shaffer’s controversial play about sexual deviation.
“That was a signal of intent,” he says now. “Looking back, that’s probably the most important choice I’ve ever made, in terms of things outside of Potter, because it showed people that I’m not just here to capitalise on the fame that I’ve got from Potter for as long as I can. That’s not what I’m about. I’m playing a much longer game than that.”
The part entailed a nude scene that prompted the inevitable headline “Harry gets his wand out”. But it was worth it. Charles Spencer of The Daily Telegraph hailed Radcliffe’s “dramatic power” and “electrifying stage presence”. For most men, I say, exposing yourself in front of a crowd of strangers is the stuff of nightmares. So what was it like? “It’s odd the first couple of times you do it, but it does just become a job. Looking back, I do think I was probably braver then than I am now. I spoke to a friend who did Hair, and he said: ‘I like getting naked on stage, it’s fun’ and I said: ‘You were in Hair! You got naked for, like, a minute, and it’s an ensemble with loads of naked people. Mine was on my own and lasted 10 minutes!’ ”
His life so far is hard to empathise with, I say – he’s the richest person under 30 in this country, for example – but I wonder whether his teens were all that different from everyone else’s. When I was that age, as I recall, I was rather self-conscious. Was self-consciousness ever an option for him, given that he was by then used to having his face projected on cinema screens and billboards across the land?
“You can still be self-conscious in my position. And shy. Shyness displays itself differently in me. I think it’s more an awkwardness. Like when I go to those events, like the Baftas, or like I was invited to this thing called the Met Ball, and I ended up having a good night because I took a friend, but normally I feel very awkward at events like that.”
Because? “Because I don’t feel that I’m good at small talk, and I’m not… You know, meeting people in that fleeting way, I never know how to give an accurate impression of myself, so I just become nervous, and stumbley.”
When people recognise him in the street, do they say “Hey, there’s Harry Potter!” or do they say “There’s Daniel Radcliffe”? “I’d be lying if I said I didn’t get Harry Potter at all. Of course I do. But you know what? I’d say the split is now rather encouragingly in favour of Daniel Radcliffe, which is rather lovely. I walked past two girls on a bench the other day, and I heard them both go ‘Oh my God, it’s Daniel Radcliffe’, and every time that happens I think: ‘Yesss!’ Not because they recognise me, because they use my name.”
One’s teenage years are awkward enough without having to live them in a spotlight, I say. Did he have people around him helping him deal with the pressures of fame – therapists, I suppose I mean? “You know, the people I talk to are my mum and dad. They are amazing people, and were always great at making me aware of which parts of it were real and which weren’t, and making me aware of which parts were important and which were not.”
It helped that they were in the business, he says. His father, Alan, is a former literary agent, who gave up his job to chaperone his son when he was chosen from thousands to play Harry Potter. His mother, Marcia, is a casting agent, who put him forward for that fateful audition.
So even though he was growing up on film sets, where the whole world was apparently revolving around him, his parents managed to keep his ego in check? “I don’t think that’s in me to be honest. I’ve not got… I’ve always had, like, from the age of about 11, I’ve had such an intolerance for bad behaviour of actors that I don’t think I was ever going to be that person.” What about the financial side of things? “I have an amazing lawyer, and I have my mum, and I have my accountant, who was my mum’s accountant when she was young. He’s called Keith and he’s also brilliant.”
I imagine Keith knows how much young Daniel is worth, but does Daniel know? “I do not, no. I hear things said, but I don’t know if any of them are true. And I never want to seem ungrateful for it all, but the money is not a motivating factor in my life. Also,” he adds with a laugh, “I would be the last person who should be left in charge of it, frankly. Because I am so terrible at maths. Not that I’d blow it or anything, but I just wouldn’t do anything with it.”
Thanks to his mother’s investment skills, then, he owns several properties in London and New York, as well as an impressive art collection including works by Damien Hirst and Craigie Aitchison. His personal fortune has been estimated as being not unadjacent to £50 million. Should the estimate be higher or lower? “I’m not going to play this guessing game,” he says politely but firmly. “I’m just not.”
His politeness seems to be one of his defining characteristics. For his own part he has, in the past, described himself as nerdy, hyperactive and skittish, and you can see little hints of those things in his personality, too. But no one seems to have a bad word to say about him, and that, all things considered, is quite an achievement.
It is time for his photograph and so we return to the other room. A change of shirt is needed and Radcliffe strips off to reveal an impressive six-pack, and biceps that can only have come from hours in the gym. And, yes, he does this completely without self-consciousness.